Paresh Choudhury was born in a village called Bhutmundi near Paradeep, Orissa, India. To establish himself as an artist, he came Delhi way back on 1993 through Baroda with two degrees like one was BFA in painting from B. K. College of Art and Crafts, Bhubaneswar,Orissa and MFA in Applied art from M.S. University of Baroda with a handful of paintings.initially he worked for advertising agencies and explore there the huge arena of visual communication world. But his passion towards painting never disinterests him to upgrade his intuition to think extreme visually. In the last few years he has completely dedicated to create paintings and in this period also he did a residency workshop in new media at the Norwich School of Art and Design near London. His skill and outlook have been honed by influences that came from advertising and commissioned illustrations. Now He is well seasoned and starving to deliver his best for his life as an artist.
His works are showing at Gallery-7 at Rabindra Bhawan, Lalit Kala Acadeny, New Delhi, India now, looks like spiritual to me. Once he said, ”When I accommodate with a blank canvas it leads to a world where it demands me for certain visual deliverance”. In the process he endeavor to create a visual lingo of graffiti that is rebellion against the humdrum nature of our urban life juxtaposing some of his fantasies onto mundane objects. He involuntarily realized the presence of great Indian ‘kama-sutra’ – The art of love making in his recent bodies of work in a dissimilar style inspired by road and industrial graphics, icons and signage which we customarily find every day to day life. Speaking in essence, the sexuality with its urban context is a major problem today. However, many people have founded poor sexual relationships on harmful myths and customs, clearly knowing the truth about our diverse (and very adaptable) the evolution is important. As we all know the Kama-sutra is ultimately about wisdom and our creative cultivation. It covers the three aims of life- virtue (dharma), prosperity (artha), and love (kama). The experimentation is just instigated with these aspects of eroticism in quest to know how it contains the political ideology with the urban content.
“My solo art show”
Artist: PARESH CHOUDHURY
At : Gallery-7,Rabindra Bhawan
Lalit kala Academy, New Delhi
Opening on 16th Jan 2008. and it’ll continue till 22nd jan 2008
Contemporary Art Exhibition Review: Ashok Art Gallery
His works are showing at Gallery-7 at Rabindra Bhawan, Lalit Kala Acadeny, New Delhi, India now, looks like spiritual to me. Once he said, ”When I accommodate with a blank canvas it leads to a world where it demands me for certain visual deliverance”. In the process he endeavor to create a visual lingo of graffiti that is rebellion against the humdrum nature of our urban life juxtaposing some of his fantasies onto mundane objects. He involuntarily realized the presence of great Indian ‘kama-sutra’ – The art of love making in his recent bodies of work in a dissimilar style inspired by road and industrial graphics, icons and signage which we customarily find every day to day life. Speaking in essence, the sexuality with its urban context is a major problem today. However, many people have founded poor sexual relationships on harmful myths and customs, clearly knowing the truth about our diverse (and very adaptable) the evolution is important. As we all know the Kama-sutra is ultimately about wisdom and our creative cultivation. It covers the three aims of life- virtue (dharma), prosperity (artha), and love (kama). The experimentation is just instigated with these aspects of eroticism in quest to know how it contains the political ideology with the urban content.
“My solo art show”
Artist: PARESH CHOUDHURY
At : Gallery-7,Rabindra Bhawan
Lalit kala Academy, New Delhi
Opening on 16th Jan 2008. and it’ll continue till 22nd jan 2008
Contemporary Art Exhibition Review: Ashok Art Gallery
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