Showing posts with label Indian young artists. Show all posts
Showing posts with label Indian young artists. Show all posts

Friday, August 8, 2008

Art of Concern:Indian Young Artist Vinod Manwani



A clock with no hands, a rocking horse with scratch marks, a rocking chair – these are the central theme for Sindhi artist Vinod Manwani. Concerns for the environment, the sudden rise of India’s “Nuclear Family”, family values and a more personal story all of which are displayed in all of the paintings.Vinod Manwani is the third child to Mangharam and Gopi Devi Manwani. Born in 1966 at Avantika, Ujjain a holy religious town near the bank of Kshipra river in Central India.

Each item has story to tell. The clock with its missing hands tells us how we need to STOP rushing in our lives. The rocking horse with scratch marks are of a more intimate nature displaying the scas of what he saw on his father’s forehead and his grandmother’s eyes and how they lost everything.

However, his passion for painting came from his trips to the temples of across ujjain with his mother. The brightly painting ceilings and domes of the Gods, Goddesses and other intricacies of workman ship displayed for all to view, to be inspired. When Vinod Manwani sits down to paint these days in his residence cum studio in Malad, two feelings concern him and his canvas. Nostalgia and empathy for metros escalating multiplex culture and more importantly, ‘Tiger Conversation’. These two series can be seen at his studio.



A casual conversation got translated into a series of paintings that keep the kitsch-ness of Bollywood film posters animated in the 18 paintings. “I wanted to make the paintings in a simple manner. I painted whatever I could recall in my memories, just as I saw it,” he explains about his style of painting.An active member of the BNHS, Manwani feels strongly about the declining numbers of the tiger species. “My paintings will perhaps work as references for my children when they grow up. I show a clock without hands to show that the time to save these glorious species is over. We have reached a sad stage where nothing much is happening to preserve tigers,” he says. Manwani also reasons on physical spaces that a congested city like Mumbai lives in. Manwani’s narrative style that makes a comment on the decline of the tigers and the multiplex culture is sure to get viewers to ponder. His works are showing online at Ashok Art Gallery and you can see original on display at India Art Summit 2008



Contemporary Artist Review: Ashok Art Gallery.









The Ashok Art Gallery is internationally known for one of its most important holdings: more than 2000 major works by the world's most significant Artists.Over the past years, as Ashok Art Gallery has become a major centre for contemporary visual art, the Gallery has built a strong collection of contemporary work of different artists.
Last year we became a sponsor of the STANDUP-SPEAKOUT Artshow, Organized by Art Of Living Foundation and United Nations.Organized an International Contenmporary Art Exhibition including artists from USA, The Nederlands, Pakistan and India.We have also participated at Art Expo India 2008 Mumbai and India Art Summit 2008 New Delhi.

Tuesday, August 5, 2008

Working on Global Warming and the nature’s fight against digital cosmopolitan life, India Young Artist Pradosh Swain



Not very long ago, many scientists and researchers were hoping that global warming would have a positive effect on the agricultural yield because of the role that carbon dioxide plays photosynthesis. However, on the contrary, it has been resulting in the destruction of several crops. In Iceland, rising temperatures have made sowing of barley easier and more effective than it was twenty years from now. This is expected to cut the area under maize - the country’s staple crop - by at least 33 percent. The reduction in rainfall has turned vast expanses of land into deserts.

It is important to understand that the effects of global warming that we are experiencing today are moderate compared to what the future will see if we do not take preventative action. Researchers and environmental experts are stressing that the effects of global warming will continue on a constant inclined curve over the next century. Temperatures will continue heating up a little bit each decade until the earth’s temperatures reach the sweltering levels. They believe that the earth’s temperatures will rise between two to nine degrees Fahrenheit by 2050. Increase in temperature will trigger the rise of sea level, which in turn result in salt-water intrusion into groundwater in some regions. This will reduce the availability of water for drinking and agricultural purposes in coastal zones. Further, increase in evaporation will reduce the effectiveness of reservoirs. The retreating of glaciers will have a number of different effects on water supply. A reduction in runoff will affect ability to irrigate crops adversely.

This is the subject Indian young artist Pradosh Swain working on.

At the very beginning of his art career, he started the nature study, and over the years it has become a part of his daily life. City of Temples, his native town Bhubaneswar, has greatly inspired him to study and create a new spread of water colour technique, for which he has been honored with Orissa State Award in 1995. “This technique has fascinated me after college years”, he says. He has traveled different states in India and Nepal. Pradosh has the credit of doing the highest number of water colour paintings amongst contemporary artists in Orissa. In this journey, he also did a series of smallest different templescape size (1cm x 1cm) and the longest 8ft x 160ft on FIFA World Cup Year 2006, which found a proud place in Orissa State Museum and has been published by different print media and aired by various TV channels. Pradosh has organized and participated in numerous art exhibitions across the country and is attracted towards contemporary art field from 1997. He came to Delhi and started photo realism with surrealistic touch. “It was a big challenge for me to enter this contemporary art world, but my simple concept and visual approach made me very close to my viewer”, he recalls.

He has been well appreciated by viewers and it has motivated him to create more and more art works. Pradosh Swain came to limelight when art curator Dr. Alka Pandey discovered him and recognize him as an upcoming young artist by including his works in her curatorial show this year. Pradosh’s work has been showcased in a number of private galleries in India like Ashok Art Gallery, Mon Art Gallery and Galleria at their shows in recent past.

Now-a-days he is working on Global Warming and the nature’s fight against digital cosmopolitan life. Use of the commonly used day to day elements make his paintings interesting and unique. After showcasing his works at Art Expo India, Mumbai, Ashok Art Gallery is going to put his works as a special exhibit at forthcoming India Art Summit 2008. He is an Indian young artist to watch for sure. Pradosh Swain lives and works in New Delhi.

Contemporary Art Reviews: Ashok Art Gallery









The Ashok Art Gallery is internationally known for one of its most important holdings: more than 2000 major works by the world's most significant Artists.Over the past years, as Ashok Art Gallery has become a major centre for contemporary visual art, the Gallery has built a strong collection of contemporary work of different artists.
Last year we became a sponsor of the STANDUP-SPEAKOUT Artshow, Organized by Art Of Living Foundation and United Nations.Organized an International Contenmporary Art Exhibition including artists from USA, The Nederlands, Pakistan and India.We have also participated at Art Expo India 2008 Mumbai and India Art Summit 2008 New Delhi.

Friday, March 21, 2008

Indian Art Expo 2008, a new begining in Indian Art Market



It's an idea whose time has come. Art fairs and expos are held as a matter of routine all over the world. Art Expo India 2008 Mumbai is determined to catch up the global Art Market Trend.
Vickram Sethi, gallerist, curator and entrepreneur, takes this first significant step with Art Expo India 2008, which brings together professionals from various branches of the art world: From galleries to framers, buyers to artists at the World Trade Centre March 14-16, it has been organised by the Trade and Technology Exposition Co (India) Pvt Ltd, established in 1987 as an exhibition organising company headed by Mr Vikram Sethi.
He has managed to bring together art galleries from all over the country, Sethi says, even though many are still hesitant. "They want to wait and see how this one goes," he smiles. Those that have signed up include Emami Chisel Art Pvt. Ltd. , Marvel Art Gallery, Karma Art Gallery, Archer , Ashok Art Gallery, Nitanjali Art Gallery, Arushi Arts Gallery, Art India Publishing Co. Pvt. Ltd, Art & Soul, The Osmosis Gallery, Institute of Contemporary Indian Art, Klakriti Art Gallery, The Art Trust, Ashish Balram Nagpal.

In time, Sethi explains, there will also be support services showcased at the Expo — insurance, valuation and more. Art supplies and artists' facilities are not being planned, at the moment. Sethi looks to this collection of industry-associated services being a huge success, since the art market in India is growing rapidly.

"It used to be NRIs buying art, but now every young couple wants to own something that they can be proud of," he says. And this is where they can start.Harsh Goenka and actress Dimple Kapadia cutting the red ribbon and inaugurating the show. Making their arty-hearty presence felt at this ‘making a business out of art’ affair were a number of the city’s gallery owners, artists and art dealers, who came to check out the various stalls and works on display. Artexpo India 2008, which ends last week, offered Mumbaiites a chance to mingle with art industry professionals from across India. Young Indian Artists like Chintan Upadhyay, Pratul Dash, Venkat Bothsa, Amitava Dhar, Sajal Patra, Kanta Kishore, Jamal Ahmed, Gadadhar Ojha, Anup Kumar Chand, Binoy Varghese,Jenson Anto,Pradosh Swain and Sanjeev Sonpimpare were hot favorite amongst all showcased and Ashok Art Gallery’s young artist representation was found most hunting place for all visitors.
Dimple was very impressed with the entire concept of buyers, gallerists and collectors all coming together under one roof. “Art Expo India will open the market for a wide range of products and services,” Vickram Sethi was overheard explaining to a guest.Also present at the show opening were Laila Khan-Rajpal, Pravina and Jamal Mecklai, Sarayu Doshi, Richard and Katherine Tan and artists Sajal Patra, Prithivi Soni, Vinod Manwani, Kanta Kishore, Pradosh Swain, Sanjoy Bose, Chintan Upadhyay, Sanjeev Sonpimpare and Jenny Bhatt. Art for art’s sake, indeed!
Ashok Nayak
Curator and Exhibition Director
http://www.ashokartgallery.com/

indian art expo, indian art fair, Indian art market, Indian young artists

Tuesday, February 26, 2008

Young Indian Sculptor at LAPIDIALES!


When you come to visit the site of LAPIDIALES near the small city of PORT D'ENVAUX, from far, you can see what looks like one small and peaceful forest. But, after one curve, suddenly you realize that the trees hide you a strange landscape .... Long times ago was established here a stone-quarry.
The Stone of CRAZANNES - the material that has been used to build the Château de VERSAILLES, the base of the Statue de la Liberté in NEW YORK, and so many other monuments, this stone that has been transported, long times ago, by boat on the Charente River (maybe with some barrels of Cognac ? The city of Cognac is not so far !), this stone that, strangely, is not porous and even becomes and whiter all along time, this stone, now, has a new life : the royalty is no more in France (but there is still Cognac !), the quarrymen are gone and have let place to artists : the old quarry is now transformed as a sculpture garden, an open-air museum

Since 2000, a French artist, Alain TENENBAUM has opened "LES LAPIDIALES" (in Latin, "lapidis" means "stone") to artists. This place is opened all year long but it is better to come between May and September: the residence program begins and during 5 months and you can meet artists from France and all over the world (Turkey, Russia, Zimbabwe, India) who come and work during some periods of two months. They work "in situ" according to one of the five themes of the site: water, the surface of the earth, the depths of the earth, the air, the fire.They work all day long, like quarrymen did before, but they have another aim: the transformation of stone into contemporary works of art.

It was in 2006 that Gadadhar OJHA, the only young Indian sculptor living in France, has heard the first time about the LAPIDIALES as he had participated to the 1st International Symposium of PEZENAS (in the South of France). 13 artists working on the unique theme "Message of the Body", but amongst these artists at least 4 of them knew already the LAPIDIALES. And it was enough for Gadadhar OJHA to have the will, the desire to go and see how it was: working in an old quarry, what a strange and wonderful project!
In September 2006, like every year, during 3 days, this was the "closing session" of the Lapidiales, so we came and met everybody: organizer, artists, and ... the site! And this is how it comes ... Your work is your visiting card, you are invited by one artist who had worked before (one artist can give two names of new artists), then you learn some weeks later that you will work at the LAPIDIALES! Says Gadadhar.

Gadadhar OJHA has worked in 2007, during May and June, on the part called "in the depths of the Earth" ... Two months in the part of the quarry where there is less light, where there is more humidity, where it is more cold, where people who come could not see you, because there are so many caves, so many ups and downs, that visitors forget to go to see where artists work what could be the dark side of the existence.
But in the depths of the earth, you don't know how life could be also interesting: first, when you enter on right side, you are invited by some gnomes surrounded with strange friends with strange smiles who invite you to one library where you find old books, and crane, and candles, and another crane, and an old pair of shoes (maybe from the artist of the ones of the skeleton, lying there, waiting ... ?). More far still in the right side of you, you can already saw also one big mouth with one woman emerging, from the throat, one big chain, you could be scared, but it is impossible because in the middle you see something else that show you the poetic part of existence.
Upon on huge black wall, suddenly you see one beautiful and peaceful human being, man? Women ? who knows ?, emerging from one lotus flower, showing to our eyes his/her half-nude body, the other part made by flesh, guts, intestine, heart, lung, brain ... And in the center, one flower.
But there, it is impossible to be afraid, because, you know that from flower comes life, that this wonderful human being born in a flower gives birth, at his/her turn to another existence that from the depths of earth came to existence.
Suddenly, in the dark, you could see light, because slowly your eyes get used to this place, you can see also the structure: this personage is filled by horizontal lines. Those lines that follow you since you open yourself to life: the horizontal line that guides you to the sun when you wake up in the morning SUNRISE, the horizontal line when you begin to write, the horizontal lines when you begin to learn. Lines that give also movement: is not a drawing a complex of lines jointed together? There, the lines give movement to this body, and even in the dark, light is caught by these lines. Come and see this strange vision with candles around him/her ... Shadows will make the body dance, will make the flower rustle ... and maybe, you will be able to see life in the depth of the earth? Those lines begin from the stone to go back through the stone. But where are they going? Gadadhar OJHA has all the answer at his work. And when I asked him Don't you ever get tired? He said, “I never do anything that is not in my nature. You don't ask the wind whether it gets tired of blowing or the sun whether it is tired of shining. This is because they don't do anything that is not in their nature. And the thing here is that there is not pretension. There is no covering up of a mistake. There is no point in trying to appear as someone you are not. These are the principles that make my Art very strong.”
And when we lead through such examples, through our own lives, it becomes really effective in other's lives also. People are moved by people, not just by principles. It's a ripple effect. Gadadhar OJHA lives and works in Paris.
Contemporary Sculpture Review: Ashok Art Gallery

Friday, January 18, 2008

Promising Young Artist Paresh Choudhury


Paresh Choudhury was born in a village called Bhutmundi near Paradeep, Orissa, India. To establish himself as an artist, he came Delhi way back on 1993 through Baroda with two degrees like one was BFA in painting from B. K. College of Art and Crafts, Bhubaneswar,Orissa and MFA in Applied art from M.S. University of Baroda with a handful of paintings.initially he worked for advertising agencies and explore there the huge arena of visual communication world. But his passion towards painting never disinterests him to upgrade his intuition to think extreme visually. In the last few years he has completely dedicated to create paintings and in this period also he did a residency workshop in new media at the Norwich School of Art and Design near London. His skill and outlook have been honed by influences that came from advertising and commissioned illustrations. Now He is well seasoned and starving to deliver his best for his life as an artist.

His works are showing at Gallery-7 at Rabindra Bhawan, Lalit Kala Acadeny, New Delhi, India now, looks like spiritual to me. Once he said, ”When I accommodate with a blank canvas it leads to a world where it demands me for certain visual deliverance”. In the process he endeavor to create a visual lingo of graffiti that is rebellion against the humdrum nature of our urban life juxtaposing some of his fantasies onto mundane objects. He involuntarily realized the presence of great Indian ‘kama-sutra’ – The art of love making in his recent bodies of work in a dissimilar style inspired by road and industrial graphics, icons and signage which we customarily find every day to day life. Speaking in essence, the sexuality with its urban context is a major problem today. However, many people have founded poor sexual relationships on harmful myths and customs, clearly knowing the truth about our diverse (and very adaptable) the evolution is important. As we all know the Kama-sutra is ultimately about wisdom and our creative cultivation. It covers the three aims of life- virtue (dharma), prosperity (artha), and love (kama). The experimentation is just instigated with these aspects of eroticism in quest to know how it contains the political ideology with the urban content.
“My solo art show”
Artist: PARESH CHOUDHURY
At : Gallery-7,Rabindra Bhawan
Lalit kala Academy, New Delhi
Opening on 16th Jan 2008. and it’ll continue till 22nd jan 2008

Contemporary Art Exhibition Review: Ashok Art Gallery